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Showing posts from February, 2019

Family History watercolors, Part One

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"Thelma and the New Dress" I have a large collection of family photographs, some dating as far back as the 1870s. All of them are black-and-white, although a few are the brown-tone common to early tintypes. Many of the people in these photos are my mother's paternal grandfather and his siblings -- farmers who emigrated from England and settled in Canada. Later, when they arrived in Vermont's Northeast Kingdom in the years just before World War One, they lived and worked as farm managers. As a result, my maternal grandfather Fred, his sister Thelma, and their cousins, spent their early childhood in relaxed and healthy rural surroundings. My Aunt Thelma was quite photogenic. And despite the grainy, out-of-focus snapshots produced by early 20th-century cameras, images of Thelma are captivating. For quite some time, I've wanted to translate these photos into watercolor sketches. So I recently began to work on two paintings of my great aunt when she was a young...

White Gladiola

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Following a long un-creative spell, I'm back in the studio. Today, I finished a 10" x 14" study of a stem of white gladiola blossoms, using this photo (left) taken several years ago as my reference. As usual it was tempting to dwell on the details in this painting but I tried to quit while I was ahead. My goal was to try to capture the luminous quality of the blooms. I used a limited palette for this painting; only three Winsor & Newton colors, all of them very useful for glazing:  Permanent Rose, New Gamboge, and Antwerp Blue. After doing a rough pencil outline, I completed the background so that the flower shapes would be well-defined. The background was done with thick brushfuls of pigment, small strokes at a time, letting the colors to blend on the paper. I then focused on glazing the shadows and highlights, using multiple layers thin washes which were allowed to dry completely before the next layer of glaze. I tried to leave much of the paper showing while also...

Second Place for "Opposites Attract" at the Cape Cod Art Center

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"Sunlight and Shadow, Staglieno Cemetery, Genoa"  26" x 22" Received Second Place in the "Opposites Attract," National Open Juried Show, running from February 12 through March 16, 2019, at the Cape Cod Art Center, 3480 Route 6A, Barnstable, MA 02630​