Vacation travels and other commitments have left me less time to spend in my studio. Fortunately, my schedule has opened up and I'm starting several new pieces. My watercolor painting, "Bright Morning Mist," was one of twelve winners in the Rhode Island Watercolor Society's annual calendar contest. I am grateful to the many followers on Facebook who voted for me. Thanks very much! A newer painting, "The Skipper" has been on exhibit in "Primary Colors," an Open Juried Show at the Rhode Island Watercolor Society, throughout August. It shows my son on his sailboat on a long-ago afternoon on the water off Cataumet, on Cape Cod. A few weeks ago I spent an enjoyable afternoon with one of my granddaughters, setting ourselves up in my studio with the goal of completing a watercolor sketch in just fifteen minutes. We used a photo of some cows that I had taken several years ago as our reference. It was fun sharing creative space together, and I was thril...
I've moved my art gallery to a new website hosted HERE . This new site, hosted by at Fine Art Studios Online, shows my largest works, many of them framed and ready to hang. Eventually, I will add a section showing smaller, unframed paintings and sketches. Everything at the new online gallery is set up for easy purchases via PayPal (you don't need a PayPal account to buy a painting -- just a credit or debit card). I'm closing out my Daily Paintworks site, and am very grateful to David Marine and his staff for the opportunities provided to me for the past ten years. If you have any questions, please message me either in the comment section of this post (below) or by contacting me via my Facebook page HERE . The address of the new site is judithfreemanclark.com
Several years ago one of my granddaughters visited New York City with a friend, and sent back a few photographs. I was intrigued by the idea of doing a quick (well, semi-quick) watercolor sketch of the two teenagers in sunglasses. After I used my MacBook's photo app to crop out the surroundings, I simply enlarged the image and concentrated on capturing their sunlit smiles. Step 1 I sketched in a few details in pencil, but mostly wanted to rely on my eye and a limited palette of transparent colors to build the shapes and emphasize light and shadow. I tried to remember to stop every now and then to capture the progress of my painting –– always a challenge for me once I get started! For the first two steps, I worked exclusively with my favorite #12 Cosmo-Top Spin round brush, as it holds a good point. Colors used in the first two steps: Holbein's Burnt Sienna and Mineral Violet; and Winsor & Newton's French Ultramarine, Burnt Umber, and Sepia. By step 3, and in the final ...
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