Our instructor is well-known Cape Cod watercolor artist, Robert Mesrop, who offers a good combination of friendly, laid-back encouragement and helpful, real-time demonstration with excellent pointers. He generously gave all participants in the workshop the same reference photo to work from. (I "flipped" my copy of this photo horizontally so that the barn faced in the opposite direction from the original -- my contrary nature is always on alert...).
Here are some step-by-step photos of my working process... with the final painting at the bottom.
![](https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj2A4DBzRxk3oUIbNTv_Ghrnm01JaC9lKsbpV2ImA_5DvSjEWUZZ71WFQsE61kM7rSQrhrBZbubO_L56iXlFGt_Xmk3tIBna4DRXw9REk_6pFrOA1MBW8Z_gBiazOuD3JRFBQ5JiNKwoqI/w400-h289/New+England+Barn+step+1%252C+8-31++10-53+a.m.+%25281%2529.jpeg)
Step one. This photo was taken around 11:00 a.m., after I spent about 20 minutes on a drawing (I started over on a fresh sheet of paper after I dropped a brush loaded with Alizarin Crimson early in the first-wash process... grrrrrr...).
![](https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj2A4DBzRxk3oUIbNTv_Ghrnm01JaC9lKsbpV2ImA_5DvSjEWUZZ71WFQsE61kM7rSQrhrBZbubO_L56iXlFGt_Xmk3tIBna4DRXw9REk_6pFrOA1MBW8Z_gBiazOuD3JRFBQ5JiNKwoqI/w400-h289/New+England+Barn+step+1%252C+8-31++10-53+a.m.+%25281%2529.jpeg)
Step two. It was 11:51 a.m. when I snapped this image with my iPhone. At this point I had spent most of my time working on the background trees.
Step three. About 40 minutes later, I had added the foreground trees and "branchy" details in the foreground.
Step four. After adding a few more foreground details and tweaking the barn colors," I signed the sketch. At this point it was almost 12:30 p.m. -- time to call it a day and call it a finished painting:
"New England Barn"
transparent watercolor 14.25" x 10.25"
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