Here's the finished, signed version of the painting I did at Tom Dunlay's spectacular plein air workshop a week ago at Merrill House in Andover, Maine. (Details about Tom's October plein air workshop are available on Facebook HERE.)
Wednesday, August 3, 2022
I spent this morning working on a new panel (not yet ready for viewing) and this afternoon, I devoted time to putting a few finishing touches on "Study #4, Andover, Maine." This painting was posted yesterday in "Branching out..." It seemed to me that certain areas of the sky needed a bit more cloud cover, and some of the foliage and grassy areas benefitted from heightened contrast. And then there was the challenge of a signature. Most recently, I have been signing my watercolor paintings with an old-fashioned "dip pen" loaded with watered-down pigment. Because I don't have that option for signing an oil painting, my full signature poses a challenge on smaller panels like the ones I'm starting out on. I haven't yet developed the knack for doing extremely small detail work in oils. I'll get there, I hope.